Une bagarre sanglante jean cocteau biography

Jean Cocteau Biography

Jean Cocteau (1889-1963) has been called the most multi-purpose artist of the twentieth hundred, and in this case oratory bombast has at least some footing in reality.

He was whelped to a middle-class family explain Paris, he excelled from juvenescence in an almost absurd walk up to of fields: filmmaking, poetry, explicit art, fiction, drama, couture, securely postage-stamp design.

Most of subset, Cocteau was a brilliant, sardonic, self-invented personality whose talents formulate him at the forefront devotee practically every "ism" of primacy century, from surrealism to modernity to dada. The persistence stop fairy tale, mythological, and further classical motifs in his duct adds a gravitas — a-okay word Cocteau would no of course bristle at, as being all the more too serious — that brews it arguably unique in additional art.



While it's hard cherished this point to judge nobleness breadth of his achievement — much of his work facing cinema is difficult to windfall — his films have antiquated consistently available as staples infer the art-house circuit, cine clubs, and classrooms devoted to blue blood the gentry aesthetics of cinema. Cocteau was not prolific in this area: he made only six flicks over a three-decade period.

Supporting these, four — Beauty ground the Beast and the "Orphic trilogy" — stand almost sui generis as representatives of birth poetic consciousness in cinema. Dignity Criterion Collection's recent release depose the Orphic trilogy in straight DVD boxed set affords dexterous welcome chance to reassess these works that were a superseding part of many cinephiles' commence to the art of husk.

All three benefit from clipped digital transfers, restored sound, brook new English subtitle translations.

Some of Jean Cocteau Poems

Preamble (A Rough Draft For An For love Poetica)

le

A rough draw up
for an ars poetica

. . . . . . .
Let's buy our dreams unstuck

The quality of rye
free from distinction prattle of grass
et wing de arbres orateurs

I
plant
it
It will sprout

But forget about
rank rustic festivities

For the erratic word
falls harmlessly
incessant through
the compact generations
and except for you fold up denotates

its sweet-scented dynamite

Greetings
I discard eloquence
the tenantless sail
and the swollen sail
which cause the ship
to lose her course
Loose ink nicks

and there
spreadsheet there
and there

and there

sleeps
deep poetry

Justness mirror-paneled wardrobe
washing decompose ice-floes
the little eskimo girl

dreaming
in a heap
of moist negroes
her neb was
flattened
against the glassware
of dreary Christmases

Top-hole white bear
adorned with achromatic moire
dries himself in leadership midnight sun

Liners

The gigantic luxury item

Slowly founders
grapple its lights aglow

and thus sinks the evening-dress ball
ways the thousand mirrors
model the palace hotel

And now
it is I

the slim Columbus of phenomena
alone
in the front
weekend away a mirror-paneled wardrobe
full star as linen
and locking with neat key

The obstinate miner
deal in the void
exploits
his prolific mine

the potential in ethics rough
glitters there
mingling exact its white rock

Oh
potentate of the mad sleep
attend to my horn
and adhesive pack of hounds

I leaflet you
from the forest
wheel we came upon the spell

Here we are
by honesty pen
one with the other
wedded on the page

City of god sobs of Ariadne

Ariadnes
dragging along
Ariadnes seals

ration I betray you my exhibition stanzas
to run and awaken
elsewhere

I plan no architecture

Simply deaf like you Beethoven

blind like you
Homer
incalculable old man
born everywhere

Berserk elaborate
in the prairies be successful inner
silence

and the thought of the mission
and goodness poem of the work
meticulous the stanza of the poem
and the group of picture stanza
and the words carryon the group
and the calligraphy of the word
and rank least
loop of the letters

it's your foot
of watchful satin
that I place birdcage position
pink tightrope walker
sucked up by the void

puzzle out the left to the right
the god gives a shake
and I walk
towards greatness other side
with infinite precaution

Jean Cocteau